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Frosted Apricot
by PENNY JACKSON

She finds it by accident—wedged in the velvet dark of an old purse, buried beneath balled tissues, soft mints turned to ghosts, a pencil chewed to its bones. The lipstick.

 

The label is worn away, but her fingers know it. A relic. A breath caught in wax.

 

She doesn’t pause. Just twists the tube, draws it across her lips. It scrapes—grainy, dry, the texture of forgotten sand. She flinches. Then looks.

 

In the mirror: a bloom.

 

A pale, sherbet hue. Not quite pink. Not quite orange. Like the last blush of daylight before the world exhales. A color shaped by warm evenings and dusk-laced laughter.

 

And there, inside that reflection—her mother.

 

Not a ghost, not exactly. But something near it. A flare of memory caught in gloss.

 

Frosted Apricot.

 

The words arrive like a scent, unbidden. Estee Lauder. Her mother’s anthem. Her flare of light. She had hunted it in unfamiliar cities, as if chasing a vanishing spell—moving through perfume counters with the urgency of a pilgrim.

 

She sees her again: red-haired, ivory-skinned, poised like a film star before the mirror. The ritual was sacred—liner, color, blot. Always a folded Kleenex. Always two presses. The tissue marked like wings mid-flight.

 

She remembers stealing it—swiping her lips in secret, becoming her mother in front of the mirror. Becoming myth. Then, later, rejecting it. Violet lipstick, black eyeliner, sharp words. “I don’t want to look like someone from a retirement home.”

 

Her mother had flinched, just slightly.

 

Now the memory lands with the weight of ash. Some wounds daughters give without meaning to. Some colors can never be unspoken.

 

She wore that lipstick through everything—through christenings, through funerals, through the slow undoing of illness. When the cancer came, when her hair fell like feathers in the shower, she still painted her mouth with that color. Refusal in a tube. A war cry, peach-tinged.

 

After she passed, they discontinued the shade. A quiet erasure. She thought of looking online, finding it again in backroom eBay listings. But the ache was too sharp, too much like dragging her mother back from the quiet.

 

And yet—here it is.

Penny Jackson's poems, essays and short stories have been published in many magazines here and abroad, including The Edinburgh Review, StoryQuarterly, Real Fiction and The Ontario Review. Awards for writing include a MacDowell Fellowship and a Pushcart Prize. Please follow her at pennybrandjtackson.com

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